The Love Poetry of Francisco de Quevedo (Cambridge Iberian and Latin American Studies)

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This presentation explores the tensions created when Black women in the Canary Islands practiced medicine and magic healing while negotiating their social exclusion due to their gender and race. The reputation some of these Black women gained broke boundaries of religious and social prohibition.

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The Inquisition moved against many of these Black women on charges both of heresy—use of religious objects and words without authorization—and professional impropriety—practicing medicine without proper faculty—a crime that clearly fell outside the jurisdiction of the Holy Office. Portraits of infants alongside their black wet nurses and nannies were incorporated into the family albums of the wealthiest Peruvian and European immigrant families in Lima from the s, coinciding with the immediate post-abolition period in Peru.

This paper addresses the ways in which visual artists articulate and problematize the hegemonic associations of the appearance of a blackness as the social condition of slavery and the appearance of b whiteness as the social condition of freedom in the visual form.


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This paper, based on the analysis of documents from the beginning of the eighteenth century to the early 19th century, considers the different degrees and routes to freedom that slaves could aspire to in a European capital city. This work analyzes the elements which defined artistic narratives and which allowed the spread of a visual culture of transatlantic slavery through the Hispanic world from the beginning of the seventeenth century. The Baroque created a set of archetypal images of Afro-Hispanic people, based eitheron their integration into, or their social exclusion from Hispanic societies.


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In this way, many groups congregated into ethnicbrotherhoods where they found a space to protect themselves from external threats, based on solidarity which allowed their visible participation in the public space. This paper also analyzes a set of images which formed an iconography of slavery. In the artistic context, some slaves not only achieved their freedom but also developed a profession and a certain social recognition. Their presence is studied in the development of a first artistic historiography based on documentary evidence, which also reveals how a fictional discourse of Afro-Hispanic lives was generated in the centuries that followed.

This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. The speakers will trace the artworks from their production, their movement with the help of agents and their collection and display at their destination.

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Such approach avoids setting an epicentre and periphery but establishes an equalitarian platform on the movement of art within the Spanish Empire. Blog at WordPress.

Francisco de Quevedo

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Love in the Poetry of Francisco de Aldana

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Beyond Neoplatonism

In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita's voice. Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the coup that toppled the democratically elected Allende government. Zurita thus Since Pap? Up, up, the cable car goes, over gasp-inducing ravines, to an exciting new world of vendors, The km of footpath, lane and track-way which link the Atlantic coast with the Mediterranean have created one of the finest long-distance routes in France.

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